1
00:00:02,000 --> 00:00:03,040
What's the set-up?

2
00:00:03,120 --> 00:00:05,640
It's perfect.
House is miles from anywhere.

3
00:00:06,000 --> 00:00:09,000
JOAN: It's definitely a real Stubbs?
-— BOISIE: Yeah, worth thousands.

4
00:00:11,440 --> 00:00:13,080
SHE SCREAMS
— Out of my way.

5
00:00:13,160 --> 00:00:15,320
GLASS SHATTERS
— Move, or I'll blow your brains out!

6
00:00:23,320 --> 00:00:24,560
JOAN:
You've gotta let me in, Boisie.

7
00:00:25,040 --> 00:00:27,680
Men have been pushing me
around my whole life.

8
00:00:27,760 --> 00:00:29,120
| won't have it anymore.

9
00:00:29,200 --> 00:00:32,240
I'm still waiting for a visit
from the social worker.

10
00:00:33,120 --> 00:00:34,760
I'm desperate to get my little girl back.

11
00:00:38,440 --> 00:00:39,600
What do you want, Joan?

12
00:00:40,040 --> 00:00:41,240
A normal life.

13
00:00:42,640 --> 00:00:43,760
Can you act?

14
00:00:44,040 --> 00:00:45,720
With you on my arm,
anything's possible.

15
00:00:50,800 --> 00:00:53,640
| want an 18-carat, 4-—claw mount
with the fake set in.

16
00:00:53,720 --> 00:00:55,480
BOISIE:
You love all this, don't you?

17
00:00:55,800 --> 00:00:56,920
Dressing up...

18
00:00:57,960 --> 00:00:59,280
pretending?

19
00:00:59,880 --> 00:01:03,120
JOAN IN AMERICAN ACCENT: | can't get
that cute little ring out of my mind.

20
00:01:03,440 --> 00:01:05,200
MR GREEN:
It's an exceptional piece.

21
00:01:06,320 --> 00:01:08,200
Thought you really were
a green-eyed monster for a minute.

22
00:01:14,640 --> 00:01:16,920
You like him though?
- Yeah, | do.

23
00:01:17,000 --> 00:01:18,160
| think he's great!

24
00:01:18,680 --> 00:01:19,880
THEY GIGGLE

25
00:01:19,960 --> 00:01:20,960
Marry me?

26
00:01:22,640 --> 00:01:23,600
Yes!

27
00:01:23,680 --> 00:01:24,720
Yes!

28
00:01:24,880 --> 00:01:26,400
THEY LAUGH AND CHEER

29
00:01:26,480 --> 00:01:28,160
NANCY:
Yes, grab the champers!

30
00:01:37,280 --> 00:01:38,600
Got something | need to tell you.

31
00:01:39,320 --> 00:01:40,240
What?

32
00:01:40,360 --> 00:01:43,200
The Ashburys have asked us
if they can adopt Kelly.

33
00:01:43,560 --> 00:01:45,320
It's just a request at the moment.

34
00:01:45,400 --> 00:01:49,120
You're her mother and no one's doing
anything without due process.

35
00:01:49,360 --> 00:01:52,080
We do always try to keep children
with their mothers.

36
00:01:52,440 --> 00:01:57,160
It's really important that Kelly moves back
into a settled, stable environment.

37
00:01:57,680 --> 00:02:00,040
Right now, we're not convinced
you can provide that.

38
00:02:31,440 --> 00:02:34,040
Come on then, let's get you that sparkler.

39
00:02:37,960 --> 00:02:38,960
Morning.

40
00:02:42,440 --> 00:02:45,840
There we are.
The perfect engagement ring.

41
00:02:47,600 --> 00:02:50,360
Nice.
-— JOAN: It's gorgeous.

42
00:02:57,280 --> 00:02:58,680
| love it.

43
00:03:00,760 --> 00:03:02,680
D'you think Kelly'll like it?

44
00:03:04,320 --> 00:03:07,040
| can't believe she's gonna be here
in a couple of hours.

45
00:03:07,840 --> 00:03:10,280
| can't believe
| handed over good money for it.

46
00:03:11,520 --> 00:03:14,360
I'm not nicking my own
engagement ring, am |?

47
00:03:14,440 --> 00:03:15,880
Forty grand, Joan.

48
00:03:17,760 --> 00:03:20,160
It's bad luck to start
a marriage with stolen goods.

49
00:03:20,320 --> 00:03:22,720
Oh, but it's alright if the cash
came from the 65 grand

50
00:03:22,800 --> 00:03:24,640
we got from selling
a ring you did half inch?

51
00:03:25,640 --> 00:03:28,000
Yeah?
- Are you saying I'm not worth it?

52
00:03:28,680 --> 00:03:31,920
Mm? Cos we both Know | am.

53
00:03:36,760 --> 00:03:37,720
Love that.

54
00:03:38,080 --> 00:03:39,200
Alright, Boisie.

55
00:03:55,000 --> 00:03:56,200
What can | do you for?

56
00:03:57,200 --> 00:03:58,200
DS Harris.

57
00:03:58,680 --> 00:04:01,680
You heard anything
about an art theft in Sussex?

58
00:04:02,400 --> 00:04:03,480
Not a word.

59
00:04:04,480 --> 00:04:07,520
A George Stubbs
got nicked and a gun was involved.

60
00:04:08,640 --> 00:04:10,400
You won't mind if we look inside?

61
00:04:29,080 --> 00:04:31,520
Don't suppose you've heard any whispers?

62
00:04:33,560 --> 00:04:34,640
Why would |?

63
00:04:40,160 --> 00:04:42,240
They must know something, Boisie.

64
00:04:42,320 --> 00:04:45,320
That's just what they do.
They check all the antique shops in the area.

65
00:04:46,360 --> 00:04:48,080
Yeah, but how long are they gonna take?

66
00:04:48,160 --> 00:04:50,160
| mean, what if Kelly comes back early--
— Stop.

67
00:04:50,880 --> 00:04:52,400
It's going to be fine.

68
00:05:00,640 --> 00:05:03,400
Don't let the door
hit your arse on the way out.

69
00:05:10,920 --> 00:05:12,680
We've gotta get rid of that painting.

70
00:05:13,160 --> 00:05:14,360
I'm working on it.

71
00:05:14,440 --> 00:05:16,200
Never mind "working on it".

72
00:05:16,280 --> 00:05:17,520
We can't sell it now, can we?

73
00:05:17,600 --> 00:05:18,920
Just chuck it in the river.

74
00:05:20,360 --> 00:05:23,280
| can't fight Kelly's adoption
with the police sniffing around.

75
00:05:23,360 --> 00:05:24,680
They didn't find anything.

76
00:05:24,760 --> 00:05:27,680
Yeah, but if they do, it's a direct link
between us and the robbery.

77
00:05:27,760 --> 00:05:30,320
Can you calm down?
We carry on as normal, it'll blow over.

78
00:05:30,400 --> 00:05:31,640
Are you fucking serious?

79
00:05:32,360 --> 00:05:33,840
What do you suggest, Joan?

80
00:05:35,320 --> 00:05:36,240
We go straight.

81
00:05:36,880 --> 00:05:37,720
What?

82
00:05:37,800 --> 00:05:40,240
We run this place
completely legit from now on.

83
00:05:41,880 --> 00:05:44,320
There ain't an antiques shop
in the world that's completely legit.

84
00:05:44,400 --> 00:05:47,280
Yes, but we need the social
to think we're a normal couple.

85
00:05:47,360 --> 00:05:48,600
We're not though, are we?

86
00:05:48,920 --> 00:05:50,200
| mean it, Boisie.

87
00:05:50,600 --> 00:05:52,720
So, No more diamonds?

88
00:05:53,640 --> 00:05:54,880
No more furs?

89
00:05:55,800 --> 00:05:57,520
And what'll you do all day?

90
00:05:57,600 --> 00:05:59,160
I'll work, in the shop.

91
00:06:11,280 --> 00:06:12,800
DOORBELL RINGS

92
00:06:14,520 --> 00:06:17,840
Put that out, they'll give her
the third degree when she gets back.

93
00:06:18,600 --> 00:06:19,560
She's a kid.

94
00:06:19,640 --> 00:06:21,880
Well, she ain't stupid, I'm telling you now.

95
00:06:23,520 --> 00:06:25,560
SHE GASPS
Hello!

96
00:06:26,480 --> 00:06:28,280
Hi, Kel, come in, come in!

97
00:06:29,520 --> 00:06:31,760
Hi, sweetheart. How are you?

98
00:06:35,280 --> 00:06:36,880
When did you get that big?
You got so...

99
00:06:36,960 --> 00:06:38,280
You must be Boisie.
— Mrs May.

100
00:06:39,520 --> 00:06:40,960
And you must be Kelly.

101
00:06:41,960 --> 00:06:43,400
Kels, this is Boisie.

102
00:06:44,280 --> 00:06:47,400
Boisie, this is the most
beautiful girl in all the world.

103
00:06:48,120 --> 00:06:50,360
Right, I'll be back later
to get you for your tea.

104
00:06:50,800 --> 00:06:52,400
Oh, don't worry, I've got loads in for her.

105
00:06:52,480 --> 00:06:54,440
Burgers. Hot dogs.

106
00:06:55,640 --> 00:06:57,080
You still like hot dogs, don't you?

107
00:06:57,320 --> 00:06:59,560
Course she does.
Who doesn't like hot dogs?

108
00:07:00,200 --> 00:07:01,360
Bye-bye, Kelly.

109
00:07:01,760 --> 00:07:03,480
Bye, thank you.
— Let me get the door for you.

110
00:07:04,120 --> 00:07:06,000
Thank you. Oops...
SHE CHUCKLES

111
00:07:07,760 --> 00:07:08,920
Right.

112
00:07:10,400 --> 00:07:13,840
So, today we are gonna go
and see Auntie Nancy

113
00:07:14,080 --> 00:07:18,280
and she has a big treat for you!

114
00:07:18,600 --> 00:07:21,040
MUSIC: "Love Action I Believe In Love"
by The Human League

115
00:07:23,080 --> 00:07:26,320
And spin, and spin!
- Go, Kelly!

116
00:07:28,960 --> 00:07:31,720
Wee!
THEY LAUGH

117
00:07:36,920 --> 00:07:40,160
or if you're a child

118
00:07:45,720 --> 00:07:49,200
Kels! Kelly, say cheese!

119
00:07:49,440 --> 00:07:50,440
Cheese.

120
00:07:50,680 --> 00:07:52,160
CAMERA CLICKS
— Yay!

121
00:07:57,560 --> 00:08:00,400
Kelly! Grab anything you fancy.

122
00:08:01,000 --> 00:08:02,120
Stop fussing.

123
00:08:02,720 --> 00:08:04,560
Oh, | need this to go well.

124
00:08:05,160 --> 00:08:06,280
It is going well.

125
00:08:08,160 --> 00:08:09,600
| want her back, Boisie.

126
00:08:10,560 --> 00:08:12,080
We have to go straight.

127
00:08:13,120 --> 00:08:14,240
It's not that simple.

128
00:08:14,320 --> 00:08:16,360
Yes it is. | have to cdo this for her.

129
00:08:16,440 --> 00:08:18,600
You understand that, right?
— Yeah, | get it.

130
00:08:18,760 --> 00:08:20,800
So, you'll get rid of
that painting then, yeah?

131
00:08:23,880 --> 00:08:26,400
| got the chocolate one, look.

132
00:08:28,880 --> 00:08:30,400
Oh, my goodness.

133
00:08:41,840 --> 00:08:43,160
D'you know what this means?

134
00:08:46,000 --> 00:08:47,760
That Mummy likes diamonds?

135
00:08:47,960 --> 00:08:49,920
JOAN CHUCKLES
— Clever girl.

136
00:08:51,760 --> 00:08:54,240
But it also means

137
00:08:54,520 --> 00:08:56,320
I've asked your mum if she'll marry me.

138
00:09:02,720 --> 00:09:06,080
And then you'll come and live with us
and we'll be a proper family again.

139
00:09:06,840 --> 00:09:07,960
A fresh start.

140
00:09:08,760 --> 00:09:10,600
Am | coming to the wedding?

141
00:09:11,720 --> 00:09:12,880
Of course.

142
00:09:13,040 --> 00:09:15,840
You'll be my chief bridesmaid, obviously.

143
00:09:15,920 --> 00:09:17,440
You and Auntie Nancy.

144
00:09:17,840 --> 00:09:20,080
Pretty frocks, flowers.

145
00:09:21,640 --> 00:09:23,600
Will | get flowers in my hair?

146
00:09:23,680 --> 00:09:26,480
Well, | mean, you can't be a bridesmaid

147
00:09:26,560 --> 00:09:29,800
without bloody flowers
in your hair, can ya?

148
00:09:30,360 --> 00:09:31,440
SHE CHUCKLES

149
00:09:36,960 --> 00:09:38,840
Well, look...

150
00:09:39,520 --> 00:09:41,880
| might be able to put a bit more cash

151
00:09:41,960 --> 00:09:44,400
in your direction, if you're interested?

152
00:09:44,840 --> 00:09:46,480
| need a buyer for something.

153
00:09:47,240 --> 00:09:48,560
Sharpish.
— Right.

154
00:09:48,920 --> 00:09:50,080
What we talking about?

155
00:09:50,320 --> 00:09:51,520
A Stubbs painting.

156
00:09:52,520 --> 00:09:53,840
You nicked that?

157
00:09:54,000 --> 00:09:55,320
Yeah, me and Joan.

158
00:10:00,160 --> 00:10:01,560
HE CHUCKLES

159
00:10:03,240 --> 00:10:04,960
Police are asking
a lot of questions about it.

160
00:10:05,040 --> 00:10:06,360
Why | need a buyer.

161
00:10:06,800 --> 00:10:10,200
Look, none of the usual suspects
are gonna touch anything that hot.

162
00:10:11,280 --> 00:10:14,120
Can you think of any unusual suspects?

163
00:10:21,400 --> 00:10:22,320
Maybe.

164
00:10:22,400 --> 00:10:23,720
Yeah?
— For...

165
00:10:25,880 --> 00:10:27,040
Twenty five percent.

166
00:10:27,120 --> 00:10:28,360
Twenty five!

167
00:10:29,000 --> 00:10:30,360
Risky...
—- Do me a favour.

168
00:10:30,440 --> 00:10:32,760
Risky, risky, risky this one, Boise.

169
00:10:33,040 --> 00:10:33,960
Very risky.

170
00:10:34,040 --> 00:10:36,720
Alright, alright, save the spiel, mate,
| Know you're broke.

171
00:10:36,800 --> 00:10:38,120
Who you got in mind?

172
00:10:41,160 --> 00:10:42,080
Darlin'?

173
00:10:48,200 --> 00:10:49,120
The Irish.

174
00:10:50,880 --> 00:10:51,800
IRA?

175
00:10:52,200 --> 00:10:53,320
HE WHISPERS

176
00:10:55,280 --> 00:10:56,680
They've always got money to spend.

177
00:10:56,760 --> 00:10:59,680
What are a bunch of terrorists
gonna do with a painting of a fucking horse?

178
00:10:59,760 --> 00:11:00,720
Hang it on their wall?

179
00:11:00,800 --> 00:11:03,120
They always need to buy things
from abroad, right?

180
00:11:03,400 --> 00:11:05,240
Yeah, guns and explosives.

181
00:11:07,560 --> 00:11:11,240
Look, they have trouble
moving money overseas.

182
00:11:11,320 --> 00:11:14,120
But... but art,
it's a different kettle of fish.

183
00:11:16,400 --> 00:11:18,240
You think we can trust people like that?

184
00:11:22,800 --> 00:11:26,640
| think that we can trust the fact
that they always need things to shift.

185
00:11:27,760 --> 00:11:29,720
And a Stubbs is perfect.

186
00:11:36,560 --> 00:11:39,200
So, is ita yes or no?

187
00:11:44,280 --> 00:11:46,840
BABY CRIES OUTSIDE

188
00:11:55,880 --> 00:11:57,120
What are you doing?

189
00:11:58,000 --> 00:11:59,320
Needs restoration.

190
00:11:59,920 --> 00:12:02,840
But before that,
there can't be a grain of dirt

191
00:12:02,920 --> 00:12:04,080
or it'll get trapped.

192
00:12:10,040 --> 00:12:13,120
Why don't you clean the tea sets?
There are some special cloths.

193
00:12:15,480 --> 00:12:17,800
Working in the shop
was your idea, remember?

194
00:12:18,800 --> 00:12:19,800
Mm-hmm.

195
00:12:20,520 --> 00:12:22,760
Yeah, to make sure | get Kelly back.

196
00:12:30,360 --> 00:12:31,800
You know what we should do?

197
00:12:33,320 --> 00:12:34,440
I'm all ears.

198
00:12:35,520 --> 00:12:37,400
We should turn this place into a jewellers.

199
00:12:41,560 --> 00:12:44,800
It's not enough to like sparklers
to run a jewellers, Joan.

200
00:12:44,880 --> 00:12:46,360
You have to know about 'em.

201
00:12:46,440 --> 00:12:48,280
And not just that stuff
you learned to parrot.

202
00:12:48,360 --> 00:12:49,880
Proper deep knowledge.

203
00:12:49,960 --> 00:12:51,360
Fine. I'll learn.

204
00:12:53,320 --> 00:12:54,840
How you gonna do that then?

205
00:12:59,240 --> 00:13:00,800
| want to be fully qualified.

206
00:13:00,920 --> 00:13:02,720
Then you'll have to do the foundation course

207
00:13:02,800 --> 00:13:05,520
which is £2,250.

208
00:13:05,840 --> 00:13:07,160
Do you take cash?

209
00:13:08,440 --> 00:13:10,360
Ready for the big day tomorrow, Boisie?

210
00:13:10,520 --> 00:13:12,480
Yes, Joan's got it all under control.

211
00:13:12,720 --> 00:13:14,000
Nice place you've got here.

212
00:13:14,080 --> 00:13:15,800
Albie's mate's letting us use it.

213
00:13:15,880 --> 00:13:17,080
Till | get myself sorted.

214
00:13:17,600 --> 00:13:18,680
Won't be long.

215
00:13:18,840 --> 00:13:19,960
Fingers crossed.

216
00:13:20,040 --> 00:13:21,600
Give us a shout if you want anything else.

217
00:13:21,680 --> 00:13:22,760
BOISIE:
Thanks, Val.

218
00:13:25,920 --> 00:13:28,240
Can't believe you spent
five grand on a wedding ring.

219
00:13:28,520 --> 00:13:30,120
And 40 on an engagement ring!

220
00:13:31,000 --> 00:13:32,640
Going soft, Boise.

221
00:13:33,040 --> 00:13:34,440
HE SIGHS

222
00:13:34,800 --> 00:13:37,400
Yeah, | couldn't nick 'em.
Joan wants us to go straight.

223
00:13:37,640 --> 00:13:40,560
What women want and what they get
are two different things.

224
00:13:40,920 --> 00:13:43,000
I've been telling Val
I'm going straight for years.

225
00:13:43,160 --> 00:13:44,240
HE SCOFFS

226
00:13:44,760 --> 00:13:46,280
Joan's different though.

227
00:13:47,800 --> 00:13:48,640
Too right.

228
00:13:50,720 --> 00:13:52,600
Well, here's a day | thought I'd never see.

229
00:13:52,800 --> 00:13:54,240
You getting married.

230
00:13:54,440 --> 00:13:56,640
Yeah, and to someone you actually like.

231
00:13:56,760 --> 00:13:57,720
SHE CHUCKLES

232
00:14:03,520 --> 00:14:04,520
What?

233
00:14:05,400 --> 00:14:06,520
It's just a bit quick.

234
00:14:07,680 --> 00:14:09,000
Do you know him well enough?

235
00:14:09,600 --> 00:14:12,560
| do, yeah.
We can say anything to one another.

236
00:14:12,640 --> 00:14:13,640
There's no...

237
00:14:13,960 --> 00:14:15,160
secrets.

238
00:14:16,360 --> 00:14:18,920
ALBIE:
So you're gonna sell the Stubbs to the Irish?

239
00:14:21,200 --> 00:14:22,040
Yeah.

240
00:14:24,680 --> 00:14:26,800
Well, you'll need someone
to say it's not a fake.

241
00:14:27,360 --> 00:14:28,520
And it's gotta be an expert.

242
00:14:28,600 --> 00:14:29,600
They're no mugs.

243
00:14:30,520 --> 00:14:31,880
Mas cervezas.

244
00:14:31,960 --> 00:14:33,320
Ah, thanks, Val.

245
00:14:34,360 --> 00:14:35,440
These ones done?

246
00:14:35,520 --> 00:14:36,480
Yeah.
-— Yeah.

247
00:14:37,080 --> 00:14:38,200
Nice one, babe.

248
00:14:42,840 --> 00:14:44,360
| was thinking Hugo at Abney's.

249
00:14:44,440 --> 00:14:46,680
He's the one who gave me
the tip-off in the first place.

250
00:14:46,760 --> 00:14:49,040
Mm... Trust him?

251
00:14:50,400 --> 00:14:51,440
Enough.

252
00:14:53,200 --> 00:14:54,680
JOAN:
I've got a little something for you.

253
00:14:59,240 --> 00:15:00,360
Mmm...

254
00:15:10,080 --> 00:15:10,960
Are they real?

255
00:15:11,160 --> 00:15:12,400
Course they're bloody real.

256
00:15:12,600 --> 00:15:14,520
Got Kelly a necklace as well.

257
00:15:19,680 --> 00:15:20,960
| wish she was here.

258
00:15:21,600 --> 00:15:23,800
You'd think the social
would let her stay the night.

259
00:15:23,880 --> 00:15:26,800
It's not allowed,
while they're still talking about...

260
00:15:27,840 --> 00:15:29,400
bloody adoption.

261
00:15:32,920 --> 00:15:34,480
Can you imagine
what Mum and Dad would say?

262
00:15:34,680 --> 00:15:36,200
Oh, don't start.

263
00:15:36,280 --> 00:15:38,120
Oh, | just wish you'd invited 'em

264
00:15:38,200 --> 00:15:40,320
so they could see how well you're doing,
and Kelly.

265
00:15:40,400 --> 00:15:42,240
No, that man is not coming
within a mile of my daughter.

266
00:15:42,400 --> 00:15:45,360
He's too ill to hurt a fly these days.
— It's never gonna happen.

267
00:15:57,600 --> 00:16:02,680
May | present my beautiful, talented wife.

268
00:16:03,560 --> 00:16:05,680
Let's hear it for Mrs Hannington.

269
00:16:06,000 --> 00:16:07,880
CROWD CHEERS

270
00:16:08,240 --> 00:16:09,800
You're not so bad yourself.

271
00:16:13,120 --> 00:16:15,920
Just don't expect me
to honour and obey, OK?

272
00:16:16,000 --> 00:16:17,480
GUESTS LAUGH

273
00:16:17,560 --> 00:16:19,560
Speech, Boise! Speech!

274
00:16:19,760 --> 00:16:21,600
GUESTS:
Speech. Speech. Speech.

275
00:16:22,640 --> 00:16:23,640
Come on.

276
00:16:24,160 --> 00:16:26,080
You know I'm aman of few words.

277
00:16:26,160 --> 00:16:27,880
MAN: Only when it comes
to the old bill, Boisie.

278
00:16:27,960 --> 00:16:29,080
GUESTS LAUGH

279
00:16:29,160 --> 00:16:32,440
Only words he knows down the nick
are "no" and "comment".

280
00:16:32,520 --> 00:16:34,640
So, I'll keep it brief.
— Thank God for that.

281
00:16:34,760 --> 00:16:36,800
HE CHUCKLES
If you'll let me get a word in

282
00:16:37,360 --> 00:16:39,360
all | want to say is...

283
00:16:39,880 --> 00:16:42,040
I'm very grateful to you all for coming

284
00:16:42,120 --> 00:16:44,480
and... and helping us celebrate today.

285
00:16:45,880 --> 00:16:49,640
| can honestly say I've never been happier.

286
00:16:51,240 --> 00:16:52,200
So...

287
00:16:52,760 --> 00:16:53,960
here's to you.

288
00:16:56,200 --> 00:16:57,720
ALBIE:
To Boisie and Joan.

289
00:16:58,320 --> 00:17:00,000
GUESTS:
Boisie and Joan.

290
00:17:00,320 --> 00:17:02,520
APPLAUSE

291
00:17:03,160 --> 00:17:04,040
| love you.

292
00:17:04,320 --> 00:17:05,240
Love you.

293
00:17:06,400 --> 00:17:09,480
MUSIC: "I'm So Excited"
by The Pointer Sisters

294
00:17:27,560 --> 00:17:31,480
we're gonna make it happen

295
00:17:38,280 --> 00:17:42,000
and show me some affection

296
00:17:43,480 --> 00:17:46,960
in the night

297
00:18:01,000 --> 00:18:02,240
Are you alright?

298
00:18:03,640 --> 00:18:05,960
Lots of noise and people you don't know, eh?

299
00:18:07,000 --> 00:18:09,280
Joan, come on.

300
00:18:09,360 --> 00:18:10,640
Come and dance with us.

301
00:18:10,760 --> 00:18:12,720
Not gonna leave her on her own, am |?

302
00:18:17,160 --> 00:18:18,200
Which one's your favourite?

303
00:18:18,280 --> 00:18:20,840
Tell me he hasn't got the hump cos you've
gotta look after your own daughter?

304
00:18:20,920 --> 00:18:21,800
Oh, mind your own.

305
00:18:22,280 --> 00:18:23,240
Keep your hair on.

306
00:18:23,400 --> 00:18:25,000
How about you keep your nose out?

307
00:18:25,080 --> 00:18:27,120
First off you're telling me
| don't know him well enough.

308
00:18:27,200 --> 00:18:28,080
And do you?

309
00:18:30,360 --> 00:18:33,040
What was all that crap
about the police and no comment?

310
00:18:35,200 --> 00:18:39,080
If you're not banging on about Boisie,
you are on one about Dad.

311
00:18:39,160 --> 00:18:40,160
He'd be proud of you now.

312
00:18:40,240 --> 00:18:41,280
Proud?

313
00:18:41,520 --> 00:18:43,480
You know as well as | do
that if he were here

314
00:18:43,560 --> 00:18:46,880
he'd be finding fault in everything,
just like he's done since the day | was born.

315
00:18:46,960 --> 00:18:48,520
You were the apple of his eye.

316
00:18:48,600 --> 00:18:49,680
Yeah, till | turned 12.

317
00:18:49,760 --> 00:18:52,040
Joan, you were a tearaway,
he was old fashioned.

318
00:18:52,120 --> 00:18:54,160
He didn't know how to handle you.
-— | wasn't a tearaway.

319
00:18:54,240 --> 00:18:56,040
| was a runaway and you know why.

320
00:18:58,400 --> 00:19:00,400
Why do you pretend like
you don't know what he did to me?

321
00:19:00,480 --> 00:19:02,320
I've still got the scars to prove it.

322
00:19:02,400 --> 00:19:03,760
Not in front of Kelly.

323
00:19:03,840 --> 00:19:06,480
Oh no, she's gonna grow up
understanding that it's not alright

324
00:19:06,560 --> 00:19:07,880
for aman to behave like he did

325
00:19:07,960 --> 00:19:10,960
and it's not alright for other people
to make out like it didn't happen.

326
00:19:12,000 --> 00:19:14,000
You and Mum are as bad
as each other, you know that?

327
00:19:16,440 --> 00:19:18,200
So you'll dance with Albie,
but not your husband?

328
00:19:18,280 --> 00:19:20,080
Kelly needs her.
You can see that.

329
00:19:20,160 --> 00:19:22,120
How about you take Kelly
back to the Ashburys, eh?

330
00:19:22,480 --> 00:19:23,600
They're staying nearby.

331
00:19:24,360 --> 00:19:25,840
You don't wanna go yet, do you?

332
00:19:26,320 --> 00:19:28,200
I'm tired.

333
00:19:29,360 --> 00:19:31,160
Here y'are, ten minutes in a taxi.

334
00:19:31,240 --> 00:19:32,760
No, | want Kel here.

335
00:19:33,000 --> 00:19:35,080
Yeah, but she doesn't
wanna be here, does she?

336
00:19:35,880 --> 00:19:36,920
Nancy?

337
00:19:42,280 --> 00:19:43,680
Give your mum a kiss, Kel.

338
00:19:48,480 --> 00:19:49,400
You alright?

339
00:19:49,880 --> 00:19:51,520
Yeah? OK.

340
00:19:53,800 --> 00:19:55,040
Come with Auntie Nancy.

341
00:19:57,160 --> 00:19:59,640
She'll be alright. Come on.

342
00:20:01,920 --> 00:20:03,520
GUESTS CHEER

343
00:20:03,680 --> 00:20:06,280
MUSIC: "Let's Dance"
by David Bowie

344
00:20:16,240 --> 00:20:19,520
... judging the value of a gemstone
is complex, of course

345
00:20:19,600 --> 00:20:21,720
and much depends on the type of stone

346
00:20:22,080 --> 00:20:25,800
but the number one factor
will always be durability.

347
00:20:26,520 --> 00:20:29,080
No matter how beautiful a stone looks

348
00:20:29,520 --> 00:20:32,560
the most important characteristic
is how long it will endure

349
00:20:32,720 --> 00:20:35,360
and do we know
which stones are the most durable?

350
00:20:36,640 --> 00:20:37,720
Diamondas.

351
00:20:38,000 --> 00:20:39,760
Actually, no. Anyone else?

352
00:20:43,400 --> 00:20:44,520
At the back.

353
00:20:46,880 --> 00:20:47,720
Jade?

354
00:20:48,320 --> 00:20:51,120
Correct. Could you tell us why?

355
00:20:51,960 --> 00:20:55,280
Well, diamonds are the hardest stones
but they have perfect cleavage

356
00:20:55,360 --> 00:20:58,600
so they can split in two
more easily than jade.

357
00:20:59,160 --> 00:21:02,320
You'd say then that we should look
to avoid cleavage in a diamond?

358
00:21:03,240 --> 00:21:04,960
Oh, | wouldn't go that far.

359
00:21:05,040 --> 00:21:06,720
THEY CHUCKLE

360
00:21:06,920 --> 00:21:11,120
So, if we're prepared to excuse
cleavage in our diamonds

361
00:21:11,200 --> 00:21:13,080
how do we value them?

362
00:21:13,520 --> 00:21:16,400
The first question we must always
ask ourselves is

363
00:21:16,480 --> 00:21:18,560
"Are these diamonds real?"

364
00:21:20,200 --> 00:21:23,560
And if we're talking about uncut stones,
we're going to answer that

365
00:21:24,080 --> 00:21:26,040
by checking for any tiny inclusions

366
00:21:26,120 --> 00:21:28,720
or in layman's terms, flaws

367
00:21:28,800 --> 00:21:32,840
because a flawless uncut diamond is a fake.

368
00:21:38,640 --> 00:21:41,840
All you've got to do is tell them
the painting is genuine, which it is.

369
00:21:41,920 --> 00:21:42,880
| can't.

370
00:21:43,120 --> 00:21:45,120
You've done it loads of times before for me.

371
00:21:45,280 --> 00:21:46,360
Not this one.

372
00:21:48,800 --> 00:21:51,000
You'll get your usual fee plus ten percent.

373
00:21:51,160 --> 00:21:53,400
| value my kneecaps more, Boisie.

374
00:21:54,320 --> 00:21:56,720
So you don't want that grand
for the initial tip-off then?

375
00:21:58,760 --> 00:22:01,480
You'll get nothing if | can't sell it.
| Know you need that cash.

376
00:22:01,560 --> 00:22:04,200
Just find someone else, Boisie,
for God's sake.

377
00:22:05,600 --> 00:22:07,400
For one thing, I'll never pull it off.

378
00:22:07,480 --> 00:22:08,480
Look at me.

379
00:22:11,320 --> 00:22:14,240
I'll screw it up. They'll see I'm a wreck
and they won't believe me.

380
00:22:19,240 --> 00:22:22,680
If | find someone else,
then you need to get them plotted in here.

381
00:22:23,000 --> 00:22:24,560
The Irish will want to know they're kosher.

382
00:22:24,880 --> 00:22:26,120
What will | tell my boss?

383
00:22:26,560 --> 00:22:29,440
Say... | dunno, they're here to train.

384
00:22:29,520 --> 00:22:32,520
Hugo, you can say anything you like,
| don't care.

385
00:22:33,080 --> 00:22:35,280
If you want that grand,
this is what's happening.

386
00:22:39,960 --> 00:22:41,960
And | need you to tell
‘em everything there is to know

387
00:22:42,040 --> 00:22:43,320
about George fucking Stubbs.

388
00:22:43,440 --> 00:22:45,240
Well, yeah, they'll need to be
word bloody perfect.

389
00:22:45,320 --> 00:22:48,480
Listen, there is no way
this is coming back on me.

390
00:22:52,200 --> 00:22:54,360
JOAN:
This is the one I'm not sure is genuine.

391
00:22:55,840 --> 00:22:58,800
| think | can see the smallest flaw, but...

392
00:22:59,840 --> 00:23:04,680
Some inclusions are extremely hard
to detect with magnification alone

393
00:23:05,400 --> 00:23:10,400
so checking for fluorescents
with a UV torch can be very helpful.

394
00:23:13,640 --> 00:23:14,680
Hm?

395
00:23:19,160 --> 00:23:20,200
Have another look.

396
00:23:28,240 --> 00:23:29,400
Do you see an inclusion?

397
00:23:30,440 --> 00:23:31,640
| can, yeah.

398
00:23:32,720 --> 00:23:33,800
That means?

399
00:23:37,120 --> 00:23:38,200
It's real.

400
00:23:53,920 --> 00:23:55,080
HE SIGHS

401
00:24:12,440 --> 00:24:14,120
You gonna tell me what's up?

402
00:24:18,800 --> 00:24:20,560
I've found a buyer for the Stubbs.

403
00:24:22,480 --> 00:24:24,480
We agreed that you'd chuck it in the river.

404
00:24:24,560 --> 00:24:25,880
No, we didn't.
—- Yes, we did!

405
00:24:26,440 --> 00:24:28,600
Cos I'm trying to get my daughter back

406
00:24:28,680 --> 00:24:31,840
and you stood there and you told me
that you understood that.

407
00:24:31,920 --> 00:24:33,080
| do understand.

408
00:24:33,160 --> 00:24:36,200
Oh yeah, provided you can still do
whatever you want, when you want.

409
00:24:36,280 --> 00:24:37,840
A work of art is not going in the river.

410
00:24:40,560 --> 00:24:43,520
| just need someone to say they're
from Abney's and sign it off as legit.

411
00:24:43,600 --> 00:24:45,000
I'd ask you to do it, but...

412
00:24:49,160 --> 00:24:50,920
You don't care, do you?

413
00:24:52,400 --> 00:24:54,640
You don't care if | get her back or not.

414
00:25:28,320 --> 00:25:29,920
Well, married life is suiting you.

415
00:25:31,760 --> 00:25:33,200
How d'you know I'm married?

416
00:25:33,520 --> 00:25:35,280
It's my job to know what you're up to.

417
00:25:35,760 --> 00:25:36,760
What you're thinking.

418
00:25:38,880 --> 00:25:40,640
Well, go on then, Clever Clogs.

419
00:25:42,800 --> 00:25:43,880
You hungry?

420
00:25:45,120 --> 00:25:46,280
Hungry for what?

421
00:25:46,920 --> 00:25:47,760
Change.

422
00:25:48,880 --> 00:25:49,800
Excitement.

423
00:25:51,400 --> 00:25:53,360
| Know what you really want, Joan.

424
00:25:55,200 --> 00:25:56,720
To have Kelly back with you.

425
00:25:57,560 --> 00:25:59,400
And | would love for that to happen.

426
00:26:00,160 --> 00:26:02,480
The thing is, | don't think it can.

427
00:26:04,760 --> 00:26:05,760
Not now.

428
00:26:07,920 --> 00:26:09,400
What's this?

429
00:26:15,280 --> 00:26:17,000
That robbery in Sussex.

430
00:26:18,360 --> 00:26:19,520
Dunno what you're on about.

431
00:26:19,600 --> 00:26:21,760
Yes, you do.
Harris and his boys searched the shop.

432
00:26:23,200 --> 00:26:24,680
That's the woman involved.

433
00:26:25,960 --> 00:26:27,200
Harris has met you.

434
00:26:28,000 --> 00:26:30,360
If he sees this, he's gonna
know straight away that it's you

435
00:26:30,440 --> 00:26:32,360
and he'll nick you for aggravated burglary.

436
00:26:34,360 --> 00:26:36,120
You're looking at years for that, not months.

437
00:26:36,200 --> 00:26:37,840
It doesn't look anything like me.

438
00:26:41,400 --> 00:26:43,880
The thing is, | can make sure
that doesn't happen.

439
00:26:46,280 --> 00:26:47,800
Why would you do that?

440
00:26:48,080 --> 00:26:50,960
| mean, you don't wear a uniform,
but you've still got a badge.

441
00:26:51,800 --> 00:26:54,480
All you've gotta do is work for me.

442
00:26:55,080 --> 00:26:58,000
Look, you be my eyes and ears,
and I'll do a deal.

443
00:26:58,080 --> 00:26:59,400
Get the other thing gone.

444
00:27:00,080 --> 00:27:01,360
Think about it, Joan.

445
00:27:02,400 --> 00:27:04,400
You could have a completely different life.

446
00:27:05,480 --> 00:27:07,360
Safe with Kelly.

447
00:27:07,880 --> 00:27:09,720
I'm not a grass, Tom.

448
00:27:10,120 --> 00:27:12,680
And anyway, I've got nothing to tell you.

449
00:27:16,800 --> 00:27:18,560
VEHICLE BRAKES

450
00:27:20,320 --> 00:27:21,520
CAR DOORS CLOSE

451
00:27:24,760 --> 00:27:26,240
Thanks, I'll Keep it.

452
00:27:32,240 --> 00:27:33,280
Here you go, mate.

453
00:27:47,680 --> 00:27:49,040
What's with the old bill?

454
00:27:50,480 --> 00:27:51,920
Don't know what you're on about.

455
00:27:54,080 --> 00:27:55,960
That bloke I've just seen you with.

456
00:27:56,360 --> 00:27:57,760
Well, who says he's old bill?

457
00:27:57,840 --> 00:27:59,840
We both know bacon when we smell it.

458
00:28:02,920 --> 00:28:04,280
If you must know...

459
00:28:05,200 --> 00:28:06,800
he wanted to show me this.

460
00:28:06,920 --> 00:28:11,360
Apparently she was involved in nicking
a painting by George Stubbs.

461
00:28:12,040 --> 00:28:13,600
A burglary, Boise.

462
00:28:14,240 --> 00:28:16,920
A burglary where a bloke
got clocked with a gun.

463
00:28:17,080 --> 00:28:18,240
According to who?

464
00:28:18,520 --> 00:28:20,680
The woman who owns
the house and the painting.

465
00:28:20,800 --> 00:28:22,400
What about the fella, he say anything?

466
00:28:22,480 --> 00:28:25,160
Oh no, don't worry, all he can
remember is that whoever hit him

467
00:28:25,240 --> 00:28:28,040
was wearing a mask,
so you are in the clear.

468
00:28:28,120 --> 00:28:29,360
It's just me facing time.

469
00:28:29,440 --> 00:28:31,960
With one witness?
Who drinks like George Best?

470
00:28:33,040 --> 00:28:36,320
That'll never stick.
— It will if they find the painting.

471
00:28:47,800 --> 00:28:48,800
SHE SIGHS

472
00:29:03,040 --> 00:29:04,240
SHE COUGHS

473
00:29:15,000 --> 00:29:16,120
DOOR CLOSES

474
00:29:56,400 --> 00:29:57,720
Oi, don't!

475
00:29:58,440 --> 00:30:01,640
I'm not going down and losing my girl
over a few quid, Boisie.

476
00:30:06,040 --> 00:30:07,680
It's not about the money.

477
00:30:09,480 --> 00:30:10,960
It's about who the buyer is.

478
00:30:14,120 --> 00:30:15,520
I'm selling it to the Irish.

479
00:30:18,560 --> 00:30:19,720
You've organised a sale

480
00:30:19,800 --> 00:30:22,880
with the IR-fucking-A
and you didn't tell me?

481
00:30:22,960 --> 00:30:25,040
| Know. | know.
It was the only fucking option. So...

482
00:30:25,120 --> 00:30:27,880
| just want Kelly back.
— This won't affect that.

483
00:30:28,160 --> 00:30:29,360
Are you mad?

484
00:30:29,960 --> 00:30:32,040
Tell them it can't be done,
tell them the deal's off.

485
00:30:32,120 --> 00:30:35,440
| can't do that with the IRA!
Are you trying to get me killed?

486
00:30:37,240 --> 00:30:38,240
SHE SIGHS

487
00:30:47,960 --> 00:30:49,920
We said we were going straight.

488
00:30:58,520 --> 00:31:00,680
That life's not for the likes of us, Joan.

489
00:31:15,320 --> 00:31:17,160
| need you, Joan.

490
00:31:21,240 --> 00:31:23,960
| have since the second | laid eyes on you.

491
00:31:31,880 --> 00:31:34,480
If | do this...

492
00:31:35,880 --> 00:31:38,520
it's because we have
no fucking choice.

493
00:32:07,440 --> 00:32:08,520
Can | help you?

494
00:32:09,040 --> 00:32:11,200
Jessica Cunningham to see Hugo Saxton.

495
00:32:11,280 --> 00:32:13,080
Of course.
— Thank you.

496
00:32:20,160 --> 00:32:21,480
Right, tell me about this.

497
00:32:22,640 --> 00:32:24,600
One of a set of three paintings

498
00:32:24,680 --> 00:32:28,160
commissioned in 1759
by the second Duke of Richmond.

499
00:32:28,240 --> 00:32:30,840
The third Duke of Richmond, Jesus.

500
00:32:31,480 --> 00:32:33,160
We've only just been through this.

501
00:32:33,240 --> 00:32:35,400
You do realise
how dangerous these people are?

502
00:32:36,080 --> 00:32:37,160
Of course I Know.

503
00:32:37,240 --> 00:32:39,560
You cannot mess up.

504
00:32:42,000 --> 00:32:43,080
SHE SIGHS

505
00:32:43,480 --> 00:32:47,000
One of a set of three paintings
Commissioned in 1759

506
00:32:47,080 --> 00:32:48,800
by the third Duke of Richmond

507
00:32:49,200 --> 00:32:51,960
who was so pleased with the results
that he encouraged his fellow dukes

508
00:32:52,040 --> 00:32:54,040
and lords to follow his lead.
—- PHONE RINGS

509
00:33:00,040 --> 00:33:01,160
Hugo Saxton.

510
00:33:02,120 --> 00:33:04,360
IRISH MAN: Can / speak
to Jessica Cunningham, please?

511
00:33:04,440 --> 00:33:06,840
Yes, she's here with me now,
one moment please.

512
00:33:11,360 --> 00:33:14,000
Jessica Cunningham speaking.
How can | help you?

513
00:33:15,320 --> 00:33:16,520
PHONE HANGS UP

514
00:33:23,800 --> 00:33:25,440
Right...
HE CLEARS HIS THROAT

515
00:33:27,720 --> 00:33:31,640
You'll need to inspect
every inch, very carefully

516
00:33:32,400 --> 00:33:33,920
and you'll need to check the signature

517
00:33:34,080 --> 00:33:36,200
against photographs of other examples.

518
00:33:37,320 --> 00:33:40,480
As for the brush strokes,
you're assuring yourself

519
00:33:40,560 --> 00:33:44,120
that these are in keeping
with the artist's entire body of work.

520
00:33:45,880 --> 00:33:47,960
Be confident, se/f—-assured.

521
00:33:48,360 --> 00:33:51,160
Most of all, do not hesitate.

522
00:33:55,600 --> 00:33:56,880
Good afternoon, everyone.

523
00:34:06,440 --> 00:34:07,720
Jessica Cunningham.

524
00:34:09,240 --> 00:34:10,080
Sean.

525
00:34:10,280 --> 00:34:11,320
This is Michael.

526
00:34:12,760 --> 00:34:13,920
You work at Abney's?

527
00:34:14,920 --> 00:34:17,000
I'm sure you've checked,
or | wouldn't be here.

528
00:34:18,760 --> 00:34:20,440
So how are we gonna do this?

529
00:34:21,920 --> 00:34:23,120
It's not my business

530
00:34:23,200 --> 00:34:26,080
but | do need a quiet space
to assess the piece.

531
00:34:26,160 --> 00:34:27,480
Right, well...
HE CLEARS HIS THROAT

532
00:34:27,560 --> 00:34:29,320
I've got an hotel room--
—- Not a fucking chance.

533
00:34:29,400 --> 00:34:32,000
We're all in the same room
with both the painting and the money.

534
00:34:33,840 --> 00:34:34,720
Because?

535
00:34:36,880 --> 00:34:38,800
Plausible deniability, sweetheart.

536
00:34:43,320 --> 00:34:45,760
Right, you come to the hotel
with me and do your thing.

537
00:34:45,840 --> 00:34:48,440
You stay here with Michael.
— Hang on...

538
00:34:48,520 --> 00:34:50,080
When, uh...
sorry what's your name again?

539
00:34:51,320 --> 00:34:52,440
Jessica.

540
00:34:53,960 --> 00:34:56,080
When Jessica confirms she's happy
with what she sees

541
00:34:56,160 --> 00:34:58,320
| call Michael, he'll give you the cash.

542
00:35:00,120 --> 00:35:02,360
I'm not just gonna
hand over the painting...

543
00:35:02,440 --> 00:35:04,520
We do things our way, or not at all.

544
00:35:09,160 --> 00:35:11,560
I'm sure Albie'll be around
to keep an eye out.

545
00:35:16,520 --> 00:35:18,640
It's alright.
Let's just do what he says.

546
00:36:12,080 --> 00:36:13,080
Drink?

547
00:36:14,880 --> 00:36:16,000
No, thank you.

548
00:36:18,280 --> 00:36:19,280
You're tense.

549
00:36:20,760 --> 00:36:21,800
You're armed.

550
00:36:25,400 --> 00:36:27,440
Right then, shall we take a look?

551
00:36:52,280 --> 00:36:53,680
A lot of copies around.

552
00:36:54,640 --> 00:36:56,440
It's a very popular artist.

553
00:36:57,760 --> 00:36:59,520
There was a big exhibition
at The Tate last year.

554
00:36:59,600 --> 00:37:01,040
| wonder how many of them were fake.

555
00:37:02,280 --> 00:37:04,240
Each painting will have been authenticated.

556
00:37:05,920 --> 00:37:07,320
By someone like you?

557
00:37:07,680 --> 00:37:08,680
Yes.

558
00:37:09,360 --> 00:37:12,240
You're not exactly honest, Miss Cunningham,
or you wouldn't be here.

559
00:37:16,800 --> 00:37:19,720
My reputation relies on
my opinions being honest.

560
00:37:20,480 --> 00:37:23,560
If they could be bought,
they wouldn't be worth much, would they?

561
00:37:27,840 --> 00:37:29,080
What's your opinion on this?

562
00:37:31,480 --> 00:37:32,960
Patience, please.

563
00:37:38,920 --> 00:37:40,120
Interesting...

564
00:37:46,840 --> 00:37:48,320
It hasn't been relined.

565
00:37:49,840 --> 00:37:50,760
And?

566
00:37:51,880 --> 00:37:53,680
And it's highly unusual.

567
00:37:54,480 --> 00:37:58,520
To find a piece in its original
condition like this is...

568
00:37:58,920 --> 00:37:59,840
rare.

569
00:38:05,000 --> 00:38:05,960
Let's see.

570
00:38:09,440 --> 00:38:11,640
Ah. Candle wax.

571
00:38:14,240 --> 00:38:16,960
The thing about fakes, good fakes

572
00:38:17,960 --> 00:38:19,680
is that they're completely perfect.

573
00:38:20,600 --> 00:38:22,560
Every stroke utterly perfect.

574
00:38:24,720 --> 00:38:26,320
But what about the flaws, Sean?

575
00:38:33,400 --> 00:38:34,760
PHONE RINGS

576
00:38:43,080 --> 00:38:44,600
Michael, phone!

577
00:39:24,400 --> 00:39:26,160
Thanks very much for the Stubbs.

578
00:39:27,920 --> 00:39:29,320
Now be on your way.

579
00:39:32,960 --> 00:39:34,440
| think you need to get going.

580
00:39:35,160 --> 00:39:36,200
| want my money.

581
00:39:37,520 --> 00:39:39,160
And | want a free Ireland.

582
00:39:42,880 --> 00:39:44,080
We had a deal.

583
00:39:44,680 --> 00:39:46,000
Your deal's fucked.

584
00:39:49,280 --> 00:39:52,120
Now leave, while you still can.

585
00:40:35,800 --> 00:40:38,200
You do know what we do
with these paintings, don't you?

586
00:40:39,360 --> 00:40:41,440
| stay out of these things, Sean.

587
00:40:43,200 --> 00:40:45,320
We use them as collateral
to buy arms for the struggle.

588
00:40:47,480 --> 00:40:51,040
As | say, | stay out of these things.

589
00:40:53,720 --> 00:40:55,800
Well, you're a hard bitch, right enough.

590
00:40:57,640 --> 00:41:00,240
I'll think you'll find I'm not hard,
just practical.

591
00:41:04,640 --> 00:41:06,080
D'you fancy that drink now?

592
00:41:07,000 --> 00:41:08,880
I'm afraid | have another engagement.

593
00:41:10,600 --> 00:41:11,720
| really do...

594
00:41:12,480 --> 00:41:13,840
Police! Get down!

595
00:41:13,920 --> 00:41:15,400
SHE GRUNTS

596
00:41:15,520 --> 00:41:16,560
POLICEMAN:
You're under arrest!

597
00:41:17,160 --> 00:41:18,320
Yep, we got 'em.

598
00:41:28,200 --> 00:41:30,000
Yeah, alright.
— Get in.

599
00:41:38,560 --> 00:41:39,560
Good look, Joan.

600
00:41:41,080 --> 00:41:43,240
Have you been following me the whole time?

601
00:41:44,120 --> 00:41:46,320
I'm sorry.
| tried to offer you a way out.

602
00:41:48,120 --> 00:41:49,280
Pigs.

603
00:41:51,040 --> 00:41:52,360
You're all the same.

604
00:41:53,040 --> 00:41:54,440
Oh, Joan.

605
00:42:01,160 --> 00:42:03,840
MAGISTRATE VO:
Joan Hannington, you are remanded in custody

606
00:42:03,920 --> 00:42:05,320
and we are not granting you bail

607
00:42:05,400 --> 00:42:07,480
because there are
substantial grounds to believe

608
00:42:07,560 --> 00:42:09,200
that you will not come back to court

609
00:42:09,280 --> 00:42:11,000
or you will commit another offence.

610
00:42:11,440 --> 00:42:14,160
We believe this because of the nature
and seriousness of the offence

611
00:42:14,240 --> 00:42:16,040
and how you might be dealt with for it.

612
00:42:16,120 --> 00:42:19,760
And because of your criminal record,
personal background and character.

613
00:42:19,840 --> 00:42:22,200
You may apply to the Crown Court
for bail in due course.

614
00:42:22,280 --> 00:42:24,080
Don't you fucking hang up on me, fuck!

615
00:42:24,160 --> 00:42:25,640
No, no, no, no, no, no, no, no!

616
00:42:25,720 --> 00:42:27,440
We're waiting!
— I've just, I've just arrived.

617
00:42:27,520 --> 00:42:29,720
| need to make some calls.
| need to call my little girl.

618
00:42:29,800 --> 00:42:31,480
WOMAN:
No, | need to call my daughter.

619
00:42:32,640 --> 00:42:34,120
Go on, we're waiting!

620
00:42:35,120 --> 00:42:36,400
WOMAN:
Oh, honestly, mate...

621
00:42:41,320 --> 00:42:42,680
PHONE DIALS

622
00:42:43,200 --> 00:42:44,600
MRS ASHBURY:
Hello? 0829.

623
00:42:44,680 --> 00:42:47,760
Mrs Ashbury? It's me, Joan.
Can | speak to Kelly please?

624
00:42:47,920 --> 00:42:50,320
WOMAN: Yeah, go on then, let's ‘ave it!
— INMATES CLAMOUR

625
00:42:50,400 --> 00:42:51,360
Joan?

626
00:42:52,320 --> 00:42:53,240
Joan?

627
00:42:54,400 --> 00:42:55,840
Joan?
— | said can you please tell--

628
00:42:55,920 --> 00:42:58,720
I'm truly sorry but | think it’s better
if you don't speak to Kelly

629
00:42:58,800 --> 00:43:00,920
while you're in your current environment.

630
00:43:02,600 --> 00:43:04,640
No, no, you can't do that--

631
00:43:04,720 --> 00:43:07,520
As / say, |!am sorry.
But it's better for Kelly.

632
00:43:08,000 --> 00:43:09,360
You can see that, /'rm sure.

633
00:43:09,640 --> 00:43:11,560
FIGHT CONTINUES

634
00:43:12,120 --> 00:43:13,640
DIAL TONE SOUNDS

635
00:43:14,960 --> 00:43:16,480
GUARD:
Order! Wake up!

636
00:43:19,960 --> 00:43:22,720
SHOUTING CONTINUES

637
00:43:36,560 --> 00:43:41,200
if you let them rule

638
00:43:41,320 --> 00:43:47,120
till you kick those blues